Tuesday, January 4, 2022

CAPÍTULO II EL MAL - El Gran Arcano del Ocultismo Revelado ELIPHAS LEVI

 

EL GRAN ARCANO DEL 

OCULTISMO REVELADO

 

ELIPHAS LEVI

(Abate Alfonso Luis Constant)

 

P R I M E R A P A R T E

 

EL MISTERIO REAL

O EL ARTE DE GOBERNAR LAS FUERZAS

 


CAPÍTULO II

 

EL MAL

 

El mal, en lo que tiene de realidad, es el desorden. En presencia del orden eterno, el desorden es esencialmente transitorio. En presencia del orden absoluto, que es la voluntad de Dios, el desorden es apenas relativo. La afirmación absoluta del desorden y del mal es, pues, esencialmente, la mentira.

La afirmación absoluta del mal es la negación de Dios, puesto que Dios es la razón suprema y absoluta del bien.

El mal, en el orden filosófico, es la negación de la razón. En el orden social, es la negación del deber.

En el orden físico, es la resistencia a las leyes inviolables de la Naturaleza.

El sufrimiento no es un mal sino la consecuencia y, casi siempre, el remedio del mal.

Nada de lo que es naturalmente inevitable puede ser un mal. El invierno, la noche y la muerte no son males. Son transiciones naturales de un día hacia otro día; del otoño hacia la primavera; de esta   vida hacia la otra vida.

Proudhon[1] dice: “Dios es el mal”, lo que es como si hubiese dicho: Dios es el diablo, pies el diablo es tomado, generalmente, como genio del mal. Demos vuelta dicha proposición y obtendremos la siguiente paradoja: el diablo es Dios o, en otros términos: el mal es Dios. Pero con seguridad que al hablar así Proudhon no se refería a Dios, como personificación hipotética del bien. Pensaba en el Dios absurdo que los hombres crean y, en tal sentido, reconozcamos que tenía razón,   pues el diablo es la caricatura de Dios y lo que llamamos el mal, es el bien, mal definido y mal comprendido.

No sería posible amar el mal por el mal, el desorden por el desorden mismo. La infracción de las leyes nos agrada porque así nos parece que los colocamos por encima de ellas.  “Los hombres no están hechos para la ley, más la ley está hecha para los hombres”, decía Jesús;  palabras audaces que los sacerdotes de aquellos tiempos, ciertamente consideraban subversivas e impías; palabras de las que el orgullo humano puede abusar prodigiosamente. Dicen que Dios solo tiene derechos y no deberes porque es el más fuerte, lo que es una afirmación impía. Debemos todo a Dios, osan argüir, y Dios nada nos debe. Y la verdad es lo contrario. Dios, infinitamente superior a todos los seres,  contrae también con nosotros, al ponernos en el mundo, una deuda infinita. El creó el abismo de la flaqueza humana y es El quien debe llenarlo.

La cobardía de la tiranía en el mundo antiguo nos legó el fantasma de un dios absurdo y cobarde,  que hace el milagro eterno de forzar al ser finito o ser infinito en los sufrimientos.

Supongamos, por un momento, que uno de nosotros pudiese crear un insecto y que le dijese, sin     que él pueda oírlo: criatura mía, adórame. El pobre animalejo da unos vuelos sin pensar en cosa alguna y muere al fin del día; un nigromante dice al hombre que echándole una gota de su sangre podrá resucitarle. El hombre se hace una pinchadura –yo haría lo mismo en su lugar–, y he aquí que el insecto resucita. ¿Qué hará después el hombre? Os lo voy a decir, exclama un fanático creyente: como el insecto en su primera vida, cometió la tontería de no adorarlo, encenderá una hoguera y lo lanzará a ella, sólo lamentando no poderle conservar la vida en medio de las llamas a fin de quemarlo eternamente. ¡Ea! –dirán todos–, ¡no existe loco furioso que sea tan cobarde y tan malo como éste! Yo os pido perdón, cristianos vulgares; el hombre en cuestión no podría existir, concuerdo; pero existe, aunque en vuestra imaginación solamente, digámoslo ya, alguien más cruel y más cobarde. Es vuestro Dios, tal como lo concebís y explicáis, y es precisamente de él de quien Proudhon tuvo mil veces razón de decir: “Dios es el mal”.

En este sentido, el mal sería la afirmación falsa de un dios malo,  y es este dios quien sería el diablo o su compadre. Una religión cuyo bálsamo para las llagas de la humanidad fuese un dogma semejante, las envenenaría en vez de curarlas. Resultaría de ahí el embrutecimiento de los espíritus, la depravación de las conciencias; y la propaganda hecha en nombre de un dios tal, podría llamarse el magnetismo del mal. El resultado de la mentira es la injusticia. De la injusticia resulta la iniquidad que produce la anarquía en los estados y en los individuos, el libertinaje y la muerte.

Una mentira no podría existir si no evocase en la luz muerta una especie de verdad espectral, y todos los mentirosos de la vida son los primeros en engañarse tomando la noche por el día. El anarquista se juzga libre, el ladrón se cree hábil, el libertino cree que se divierte, el déspota piensa que oprimir es reinar. ¿Qué sería necesario para destruir el mal en la tierra? Una cosa muy simple en apariencia: desengañar a los tontos y a los malos. Pero aquí toda buena voluntad cae derrotada y todo poder fallar; los malos y los tontos no quieren ser desilusionados. Llegamos a esta perversidad secreta que parece ser la raíz del mal: el gusto por el desorden y el apego al error. Pretendemos, por nuestra parte, que esta perversidad no existe, al menos, de una manera libremente consentida y deseada. Ella no es más que el envenenamiento de la voluntad por la fuerza venenosa del error.

El aire que respiramos se compone de hidrógeno, oxígeno y ázoe. El oxígeno y el hidrógeno corresponden a la luz de la vida y el ázoe a la luz muerta. Un hombre sumergido en el ázoe no podría respirar ni vivir; así también un hombre asfixiado por la luz espectral no puede hacer uso de su voluntad libre. No es en la atmósfera donde se realiza el gran fenómeno de la luz sino en nuestros ojos estructurados para verla. Cierta vez, Littré, -filósofo de la escuela positivista– dijo que la inmensidad es apenas una noche infinita, punteada aquí y allá por algunas estrellas. “Esto es verdad”

–le respondió alguien– “para nuestros ojos que no están plasmados para la percepción de otra claridad que no sea la del sol”. ¿No nos aparece en sueños la propia idea de esta luz, mientras en la tierra es de noche y nuestros ojos están cerrados? ¿Cuál es el día de las almas? ¿Cómo vemos a través del pensamiento? ¿Existiría la noche de nuestros ojos para ojos organizados de otra forma? Si no tuviésemos ojos, ¿captaríamos la noche? Para los ciegos no existen estrellas ni sol; y si nosotros nos pusiéramos una venda en los ojos nos tornaríamos ciegos voluntarios. La perversidad de los sentidos como la de las facultades del alma, resulta de un accidente o de un primer atentado contra las leyes de la Naturaleza; ella se hace entonces necesaria y fatal. ¿Qué hacer para los ciegos? Tomarlos de la mano y guiarlos. ¿Pero si no quieren dejarse guiar? Entonces no son solamente ciegos, son alienados peligrosos y es preciso dejarlos perecer, ya que no se los puede conducir.

Edgar A. Poe refiere la historia de una casa de locos, en la que los pacientes habían logrado apoderarse de los enfermeros y guardias y encerrarlos en sus propias celdas, después de disfrazarlos de animales salvajes. Triunfantes en los aposentos de sus médicos, beben el vino del establecimiento y se felicitan recíprocamente por haber efectuado excelentes tratamientos. Mientras estaban en la mesa, los prisioneros rompen sus cadenas y llegan a sorprenderlos a palos. Se vuelven furiosos contra los pobres locos y los justifican, en parte, por lo malos e insensatos tratos de que ellos mismos fueran objeto.

He aquí la historia de las revoluciones modernas. Los locos triunfando por su gran número, que constituyen lo que llamamos la mayoría, capturan a los sabios y los disfrazan de animales salvajes.  Poco después las prisiones se gastan y se rompen, y los sabios, enloquecidos por el sufrimiento, huyen gritando y sembrando el terror. Querían imponerles un falso dios; entonces vociferan que no     hay Dios. Los indiferentes, embravecidos por el miedo, se complotan para reprimir a los locos furiosos e inauguran el reino de los imbéciles. Muchas son las épocas en que esto ha sucedido.

¿Hasta qué punto son responsables los hombres de estas oscilaciones y angustias que producen tantos crímenes? ¿Qué pensador osaría decirlo? ¡Marat es odiado y se canoniza a Pio V!

Es verdad que el terrible Ghirleri no guillotinaba a sus adversarios sino que los quemaba. Pio V era un hombre austero y un católico convicto. Marat llevaba el desinterés hacia la miseria. Ambos eran hombres de bien, pero locos homicidas, sin llegar a ser precisamente furiosos.

Cuando una locura criminal encuentra la complicidad de un pueblo, se vuelve una terrible razón, y cuando la multitud, no desilusionada más sí engañada de un modo contrario, reniega y abandona a su héroe, éste se transforma en un chivo emisario y en un mártir. La muerte de Robespierre es tan bella como la de Luis XVI.

Admiro sinceramente a este terrible inquisidor que, masacrado por los Albigenses, escribió en el suelo con su sangre, antes de expirar:

Credo in unum Deum.

¿Es la guerra un mal? Sí, pues es horrible. ¿Pero es un mal absoluto? La guerra es el trabajo generador de las nacionalidades y de las civilizaciones. ¿Quién es responsable de la guerra? ¿Los hombres? No, pues son sus víctimas. ¿Quién, pues? ¿Osaríamos decir que es Dios? Preguntado al Conde José de Maistre.[2] Él os dirá por qué los sacerdotes siempre consagraron la espada y que hay algo sagrado en el oficio sangriento del verdugo. El mal es la sombra, es la repulsión del bien. Vayamos hasta el fin y digamos que el bien es negativo. El mal es la resistencia que fortifica el esfuerzo del bien; y es por eso que Jesucristo no dudó en afirmar: “es preciso que haya escándalos”.

Existen monstruos en la Naturaleza del mismo modo como aparecen errores de impresión en un   bello libro. ¿Qué prueba eso? Que la naturaleza, como la imprenta, son instrumentos ciegos que la inteligencia dirige. Pero, me responderéis, un buen revisor corrige las pruebas.  Claro que lo hace,  y  éste es precisamente el papel del progreso de la Naturaleza. Dios es el Director de la Imprenta, y el hombre es el revisor de Dios.

Los sacerdotes siempre han proclamado que los flagelos son causados por los pecados de los hombres, lo cual es cierto, puesto que la ciencia es dada a los hombres para prevenir los flagelos. Si, como se afirma, el cólera proviene de la putrefacción de los cadáveres hacinados en la desembocadura del Ganges; si el hambre es provocada por los monopolios;  si  la peste tiene por causa la suciedad; si la guerra deriva del orgullo estúpido de los reyes y de la turbulencia de los pueblos, ¿acaso no es entonces la maldad, o más bien la tontería de los hombres, la causa de los flagelos? Se dice que las ideas están en el aire; podría afirmase lo mismo de los vicios. Toda corrupción produce una putrefacción y toda putrefacción tiene su mal olor característico.  La atmósfera que rodea a los enfermos es mórbida, y la peste moral tiene también su atmósfera,  mucho  más contagiosa. Un corazón honesto se halla cómodamente en la sociedad de las personas de bien. Se siente oprimido, sufre, queda sofocado en medio de los centros viciosos.

 

 





[1] Proudhon: filósofo, escritor y periodista francés, fundador del sistema mutualista y autor de varias obras, entre ellas, su famosa memoria titulada “ Qué es la propiedad”, París, 1850, que es la que ha provocado más crítica seria y jocosa, consagrada a desarrollar exclusivamente esta especie de axioma escrito en las primeras páginas: “ La  propiedad es el robo”. Arregló una edición de la Biblia con muchas notas sobre los principios de la lengua hebrea. Otras de sus obras son: De la justicia en la revolución y en la Iglesia, Nuevos principios de filosofía práctica, Los Evangelios anotados por J. Proudhon. (N. del T.)

[2] José de Maistre: Célebre publicista, filósofo y diplomático soboyano, autor del libro Papa, la más atrevida apología del poder temporal y espiritual de la Santa Sede ( N. del T.)


Fuente: PORTAL MARTINISTA DEL GUAJIRO

CAPÍTULO I EL MAGNETISMO - El Gran Arcano del Ocultismo Revelado ELIPHAS LEVI

 

EL GRAN ARCANO DEL 

OCULTISMO REVELADO

 

ELIPHAS LEVI

(Abate Alfonso Luis Constant)

 

P R I M E R A P A R T E

 

EL MISTERIO REAL

O EL ARTE DE GOBERNAR LAS FUERZAS




 



CAPÍTULO I


EL MAGNETISMO

 

El magnetismo es una fuerza análoga a la del imán; está diseminado en toda la naturaleza. Sus caracteres son: la atracción, la repulsión y la polarización equilibrada.

La ciencia ha captado y aceptó los fenómenos del imán astral y del imán mineral, pero observa con desconfianza el imán animal que se manifiesta todos los días por hechos que, si bien ya no puede negar, espera, para admitirlos, concluir su análisis por una síntesis incontestable.

Sabemos que la imantación producida por el magnetismo animal determina un sueño extraordinario, durante el cual el alma del magnetizado cae bajo el dominio del magnetizador, con la particularidad de que la persona adormecida parece dejar inactiva su vida propia para manifestar solamente los fenómenos de la vida universal. Refleja el pensamiento de los otros;  ve  sin  valerse  de los ojos; se torna presente en todas partes, sin tener conciencia del espacio; percibe las formas más que los colores; suprime y confunde los períodos del tiempo; habla del futuro como si fuese el  pasado y  de éste como si se tratara del futuro; explica al magnetizador sus propios pensamientos y hasta las acusaciones secretas de su conciencia; evoca en sus recuerdos a las personas en quienes piensa el magnetizador, y las describe del modo más exacto, sin haberlas visto jamás. Habla el lenguaje de la ciencia con el sabio y el de la imaginación con el poeta; descubre las dolencias y adivina los remedios;  da muchas veces sabios consejos; sufre y, en ocasiones, con un grito doloroso nos anuncia los tormentos que sobrevendrán.

Estos hechos extraños, pero incontestables, nos llevan necesariamente a la conclusión de que existe una misma vida para todas las almas o una especie de reflector común de todas las imaginaciones y de todas las memorias, en el cual podemos vernos mutuamente, como si una multitud pasara delante de un espejo. Este reflector es la luz ódica del caballero Reichenbach; es lo que nosotros llamamos luz astral; ese gran agente de la vida que los hebreos denominaban OD; OB y AUR. El magnetismo dirigido por la voluntad del operador es OD, el sonambulismo pasivo es OB.  Las pitonisas de la antigüedad eran sonámbulas ebrias de luz astral pasiva.

Esta luz recibe, en los Libros Sagrados, el nombre de espíritu de Python, porque la mitología griega la simbolizaba con la imagen de la serpiente Python.[1]

Ella está también representada en su doble acción por la serpiente del Caduceo; la serpiente de la derecha es OD y la de la izquierda es OB,  y en el medio, encima de la barra hermética, brilla el globo de oro, es decir, AUR o la luz equilibrada.[2]

Necesidad y Libertad, tales son las dos grandes Leyes de la Vida; y estas dos Leyes hacen sólo una, pues son mutuamente indispensables.

La necesidad sin libertad sería tan nefasta como la libertad privada de su freno necesario. El Derecho sin el Deber es la locura. El Deber sin el Derecho es la Esclavitud.

Todo el secreto del magnetismo consiste en esto: gobernar la fatalidad de OB por la inteligencia y el poder de OD, a fin de crear el equilibrio perfecto de AUD.

El magnetizador desequilibrado y dominado por sus pasiones, que quiere imponer su actividad a la luz fatal, se asemeja a un hombre que, con los ojos vendados y montando en ciego caballo, lo espoleara en medio de una sinuosa selva llena de precipicios.

Los adivinos, los tiradores de cartas y los sonámbulos son todos alucinados que adivinan por medio de OB.

La copa de agua de la hidromancia, las cartas de Etteilla, las líneas de la mano, etc. producen en el vidente una especie de hipnotismo. Ve entonces al consultante en los reflejos de sus deseos insensatos o de sus imaginaciones amorosas, y como a su vez, es un espíritu sin elevación y sin nobleza de voluntad, adivina las locuras y sugiere otras mayores, logrando así gran éxito.

Un cartomántico que aconsejase la honestidad y las buenas costumbres perdería luego su clientela de concubinas y solteronas histéricas.

Las dos luces magnéticas podrían muy bien llamarse respectivamente, luz viva y luz muerta; fluido astral y fósforo espectral; antorcha del verbo y humareda del sueño.

Para magnetizar sin peligro es preciso tener en sí la luz de la vida, es decir, ser un sabio y un justo.

El hombre esclavo de las pasiones no magnetiza, fascina; pero la irradiación de su fascinación aumenta alrededor de él el círculo de su vértigo, multiplica sus encantos y enflaquece cada vez más su voluntad. Se asemeja a una araña que se agota y al fin queda presa de su propia tela.

Los hombres que aún no conocen el imperio supremo de la razón, la confunden con el raciocinio particular y así siempre erróneo de cada uno. El señor de la Palice les diría: “quien se engaña no tiene razón, siendo la razón, precisamente, lo contrario de nuestros errores”.

Los individuos y las masas a quienes la razón no gobierna son esclavos de la fatalidad, la cual rige la opinión que es, a su vez, reina del mundo.

Los hombres quieren ser dominados, aturdidos, arrastrados. Las grandes pasiones les parecen más bellas que las virtudes, y aquellos a quienes llaman grandes hombres suelen ser, las más veces, grandes insensatos. El cinismo de Diógenes les agrada tanto como el charlatanismo de Empédocles. A nadie admirarían tanto como Ajax y Capaneda, si Polyeuco no fuese más furioso aún. Píramo y Tisbe, que se matan, son los modelos de los amantes. El autor de una paradoja siempre tiene la certeza de adquirir renombre. Y por más que lo condenen al olvido, por despecho o por envidia, el nombre de Erostrato encarna tanta belleza demencial, que supera a su ira y se impone eternamente a su recuerdo.

Los locos son pues, magnetizadores o más bien fascinadores, y eso es lo que torna contagiosa la locura. Por no saber medir lo que es grande la gente se apasiona frente a lo extraño.

Las criaturas que aún no pueden andar, quieren que la gente las tome en los brazos y las lleve de paseo.

Nadie ama tanto la turbulencia como el impotente. Es la incapacidad del goce lo que engendra los Tiberios y las Mesalinas. El pillo de París quería ser Cartouche en el paraíso de las calles arboladas y reía de corazón al ver ridiculizar a Telémaco.

No todos tienen el gusto de la embriaguez del opio o del alcohol, pero casi todos quieren embriagar el espíritu y complacerle fácilmente haciendo delirar el corazón.

Cuando el cristianismo se impuso al mundo por la fascinación del martirio, un gran escritor de aquel tiempo formuló el pensamiento de todos, exclamando: “Creo que es absurdo”.

La locura de la cruz, como el propio San Pablo la llamaba, era entonces invenciblemente invasora. Se quemaban los libros de los sabios y San Pablo preludiaba en Éfeso los hechos de Omar. Derribábanse templos que eran maravillas del mundo e ídolos que como obras eran primicias del arte. Tenían el gusto de la muerte y querían despojar la existencia presente de todos sus ornamentos para desprenderse de la vida.

El disgusto de las realidades siempre acompaña al amor de los sueños: ¡Quam sordet tellus dum coelum aspicio! (¡Qué vil la tierra mientras miro al cielo!), dice un célebre místico; literalmente: “¡cuán sucia se torna la tierra cuando contempla el cielo!”  ¡Tu mirada al perderse en el espacio, es la que mancha a la tierra, tu nodriza!

¿Qué es pues, la tierra sino un astro del cielo? ¿Será porque te lleva encima que la vez inmunda?

¡Que te lleven al sol y tus disgustos también lo enturbiarán! ¿Sería el cielo más limpio si estuviese vacío? ¿No es acaso admirable contemplarlo en el día cuando ilumina a la tierra y en la noche cuando brilla con una multitud innumerable de planetas y soles? ¿No será que la espléndida tierra, la tierra de los inmensos océanos, la tierra exuberante de árboles y flores se torna una inmundicia para ti porque pretendías lanzarte en el vacío? ¡El vacío está en tu espíritu y en tu corazón!

Es el amor por los sueños lo que mezcla tantos dolores a los sueños de amor. El amor, tal como nos lo da la Naturaleza, es una deliciosa realidad, y es nuestro orgullo enfermizo el que pretende algo mejor que la Naturaleza. De esto proviene la locura histérica de los no comprendidos; el pensamiento de Carlota en la cabeza de Werther se transforma, fatalmente, en lo que tenía que ser y toma la forma brutal de una bala de revólver. El amor absurdo tiene como desenlace el suicidio.

El amor verdadero, el amor natural, es el milagro del magnetismo. Es el entrelazamiento de las dos serpientes del Caduceo; parece producirse fatalmente, pero es producido por la razón suprema que le hace seguir las leyes de la Naturaleza. La fábula refiere que Tiresias[3] habiendo separado dos serpientes que se unían, incurrió en la cólera de Venus y se tornó andrógino, lo que anuló en él el poder sexual; después lo hirió la diosa irritada y lo dejó ciego, porque atribuía a la mujer lo que conviene principalmente al hombre. Tiresias era un individuo que profetizaba por la luz muerta.  Por eso sus predicciones siempre anunciaban dolencias que incluso parecía provocar. Esta alegoría contiene y resume toda la filosofía del magnetismo que acabamos de revelar.

 




 



[1] Python: pitón. Mitología: serpiente monstruosa de 100 cabezas y 100 bocas que vomitaba llamas. Guardaba el oráculo de la tierra. (N. del T.)

[2] Ob, Od, Aur. Od, fluido magnético generado por los cuerpos minerales, vegetales y animales, visible para los sensitivos en estado de vigilia. Es la luz ódica del barón de Reichembach; palabra sacada de la Cábala hebrea, en la cual ella representa sólo el polo positivo de la luz o fluido astral. Ob, es el polo contrario de la misma luz.  Aur,  en  Cábala representa a la Luz, primera manifestación del Verbo Creador. Cuando esta luz se polariza positivamente, es decir, en el sentido del bien, se llama OD, y cuando se polariza negativamente en el sentido del mal, es Ob. La misma luz primaria en   su grado de manifestación inferior recibe el nombre de Aur, el fuego. ( N. del T)

[3] Tiresias: adivino griego a quien en Tebas adoraron como a un dios (N. del T. )



Fuente: PORTAL MARTINISTA DEL GUAJIRO

Monday, January 3, 2022

Eliphas Levi

 

ELIPHAS LEVI


El Abate Alfonso Luis Constant, que bajo el seudónimo de Eliphas Levi se destacó como gran mago y Cabalista en el siglo pasado, nació en París el 8 de febrero de 1810 y falleció en la misma ciudad el 31 de mayo de 1875.

Por sus biógrafos sabemos que este maestro fue, antes que todo, un artista dedicado y que sólo después de haber presentido el culto de lo bello, obedeciendo al impulso de su alma generosa sedienta de bien, ingresó, ardiente de piedad y fe, a la Orden de San Francisco, en la que recibió las órdenes sacerdotales. Las doctrinas sociales del Cristo lo subyugan, lo arrastran, quiere ser un nuevo apóstol que ha de llevar fuera de los muros del convento la savia vivificante del amor, la justicia y la verdad, aspiración que ve realizarse en 1839, año en que es separado de la Orden Franciscana.

Disponiendo del inmenso caudal que le brindaban los numerosos manuscritos y viejos libros de la biblioteca de su convento, se había dedicado de lleno al estudio de lo oculto, adquiriendo así los vastísimos conocimientos que con tanta sabiduría y habilidad expone en sus obras.

Con el tesoro de conocimientos adquiridos en los años de vida conventual, dedicados a su ministerio y al estudio, se lanzó en busca de lo desconocido, se le abrieron las puertas de las Sociedades Iniciáticas de Oriente y Occidente, y le fueron conferidas altas iniciaciones. El Humanismo y la Hermandad de los Rosa Cruz lo contaron entre los suyos. Viajó como apóstol, fue vejado y perseguido.

En 1875 terminó su vida, pobre pero altivo.

Entre sus numerosas obras que han sido la fuente más abundante del ocultismo y misticismo desde su tiempo hasta hoy, pueden citarse, como publicadas en diversos idiomas, las siguientes:


Ø Dogma y Ritual de la Alta Magia

Ø Historia de la Magia

Ø El libro de los Esplendores

Ø La Science des Esprits

Ø Le Catéchisme de la Paix

Ø Clefs Majeures et Clavicules de Salomón

Ø Le Clef des Grands Mystéres

Ø El Gran Arcano del Ocultismo Revelado

Su convicción y su pensamiento se revelan magistralmente en su maravilloso Credo Filosófico:

 

Ø “Creo en lo desconocido que Dios personifica,

Ø “Probado por el propio Ser y por la Inmensidad,

Ø “Ideal SOBREHUMANO de la filosofía

Ø “Perfecta Inteligencia y Suprema Bondad”

Su doctrina:

“Los Cabalistas consideran: a Dios como el infinito inteligente, amante y viviente. No es para ellos ni la colección de seres, ni la abstracción del Ser, ni un ser filosóficamente definible. Él está en todo, distinto de todo y mayor que todo. Hasta su nombre es inefable y aun ese nombre solo expresa el ideal humano de su divinidad. Lo que Dios es por sí mismo no es dado al hombre comprender.

“Dios es lo absoluto de la fe; pero lo absoluto de la razón es el SER.

“El Ser existe por sí mismo y porque existe. La razón de ser del Ser es el propio Ser.

“Es a esta realidad filosófica e incontestable que los Cabalistas dan un nombre. En este nombre están contenidos todos los otros. Los guarismos de este nombre producen todos los números. Los jeroglíficos de las letras de este nombre expresan todas las leyes y todas las cosas de la naturaleza.

“Los pueblos forman ídolos y los destruyen, el infierno se puebla de dioses caídos hasta que la palabra del gran iniciador se haga oír: Dios es espíritu y debemos adorarlo en espíritu y en verdad.

“Los cultos cambian y la religión es siempre la misma; los dogmas se devoran y absorben unos a otros, como ocurre a los animales que viven en la tierra, y el mundo dogmático sólo es el demonio del error, como el mundo terrestre es el imperio de la muerte. La muerte aparente alimenta la vida real, y las controversias religiosas deben terminar, tarde o temprano, en una gran catolicidad (universalidad).

Entonces la humanidad sabrá por qué sufrió, y la vida eterna, desarmando al aguijón de la muerte, revelará a las naciones el misterio del dolor.

“Insistimos en esta observación que damos sin temor a la admiración de los que saben:


Ø “DIOS OPERA EN EL CIELO POR LOS ÁNGELES Y EN LA TIERRA POR LOS HOMBRES”


Eliphas Levi no fue sólo un realizador teórico, pues en su vida hay muchos prodigios realizados que testimonian su profundo conocimiento y dominio de las prácticas ocultas. Hechos, no palabras, constituyen la vida de este iluminado, considerado por muchos como el más potente verbo de su época, y a quien los ocultistas más renombrados reconocen como al restaurador e iniciador del movimiento ocultista contemporáneo.

El por mil títulos célebre Estanislao de Guaita, restaurador de la Rosa-Cruz Cabalista de Francia, discípulo predilecto de Eliphas Levi y continuador de su obra, dice del maestro:

“En nuestros días, un genio de ha manifestado para reconstruir más suntuoso, más colosal que nunca, el templo de Salomón rey. Pensamiento vasto y sintético, estilo luminoso y rico, imperturbable lógica y ciencia segura de sí misma. Eliphas Levi es un mago completo. Los círculos concéntricos de su obra abarcan la ciencia entera y cada uno de sus libros testimonia con significación precisa su razón absoluta del ser. Su Dogma, enseña; su Ritual, prescribe; su Historia, adapta; su Llave de los Grandes Misterios, explica; su Hechicero de Meudon, predica, y exalta con el ejemplo; en fin, su Ciencia de los Espíritus, trae la solución de los más elevados problemas metafísicos.”

Tal es la personalidad esclarecida del eminente autor de El Gran Arcano del Ocultismo.


Fuente: PORTAL MARTINISTA DEL GUAJIRO


Saturday, January 1, 2022

THE MYSTICISM OF THE ROYAL ARCH

by the late

W. Bro. Lt.-Cdr. C. R. MANASSEH, P.M.

 

London Grand Rank - London Grand Chapter Rank

Lodge No. 3549 (Old Bradfield);

P.Z., Chapter No. 2233 (Public Schools)

1027 (Shanghai Tuscan), 2060 (La France)

 

The title of this paper does not imply that mysticism is confined in Masonry to the Royal Arch alone, and that there is none in the Craft degrees. On the contrary, as the First Principal informs the newly exalted Royal Arch candidate, the degree he has just taken is but a completion of the Third degree in Craft Masonry, thus inferring that the Royal Arch is an integral part of Craft Masonry and, therefore, the conclusion of the latter’s mystical teaching.

As will be seen later, there is, in my opinion, a very good reason for separating the three Craft or blue degrees from the Royal Arch ceremony; for the blue degrees take us through our experiences during our life on this earth and the Royal Arch then tries to initiate us into the Grand Mystery of the Life hereafter. And just as death on earth is not the final end of Man’s saga, so the Third degree in the “Blue” is not the end of our Masonic teaching. In fact, this is implied when the candidate is “raised from a figurative death” but is left wondering in the Limbo of Unknowing, when he is told that “the genuine secrets of a master mason were lost by the untimely death of our Master H.A.”. To tide him over, however, the candidate is given certain “substituted secrets”, a sort of Ariadne’s thread or guide through the maze which mystically points out the timeless transition (through χαίρος and not χρόνος) between life on earth and life hereafter. We find this same teaching in Greek mythology - Theseus in the Cretan maze ‑ and mysteries (Eleusinian), as well as in almost every other mystical writing (the Cloud of Un­knowing, the Dark Night of St. John of the Cross, etc.).

Now, if the Royal Arch were not an integral part of Craft Masonry, the latter would be an incomplete teach­ing. In fact, it would no longer be mystical but purely allegorical, because the essence of a mystical teaching is to give man a glimpse of what lies beyond death and to show him its intimate connection with what lies this side of death: birth and life are otherwise as inexplicable as death.



BIRTH


We begin our mystical instruction in Craft Masonry with the First degree where all the symbolism points out our introduction to the μοίρα to which the Grand Architect of the Universe has called us. Our state at this moment, one of the two great mystical ones in our life, is clearly engraved in our minds by our preparation before the ceremony and by the impressive ritual reminder, during the ceremony, that we enter life on earth “poor and penniless, and in a state of helpless indigence”.


LABOUR

The Second degree symbolically refers to the life of toil and sweat which lies before us at birth and behind us at death. It also points out the line of progress we must follow during that material phase of our existence; and as our existence is material during that interval, progress lies mainly in raising the level of Matter, hence the importance attached to Science, which is the highest level of Man’s labour on the material plane. Even the Almightly is referred to in that degree as the Grand Geometrician of the Universe.

It is unfortunate that the general run of uninitiated humanity, and alas, even many masons fail to realise that  scientific progress should always and only be directed towards the ultimate Pattern, or Master Design of the Grand Geometrician of the Universe.

DEATH

 

“...and when by means of that contemplation she has conducted you through the intricate windings of this mortal life, she finally instructs you how to die.”

I wonder how many realise how closely the ritual of the Third degree symbolises the χαίρος or “moment” of death? Those who have been at death’s door, either in sickness, or by drowning, and then brought back to life, have all witnessed to the fact that their whole life passed before them in review: so does the ritual recapi­tulate the whole of our masonic teaching before taking us through the “gates of Hades”.

Then we are raised, but left in a state of wondering bewilderment: where do we go from there? From that stage of transition which, according to the Tibetan Book of the Dead, lasts forty‑nine days? We are merely given a tenuous direction, and it is not until the exaltation in the Royal Arch that the final revelation completes our resurrection.


INTRODUCTION

The Royal Arch ritual tries to convey to us a picture of the life hereafter. This is a real life, and the certitude of its existence is ingrained in us from tradition, from education and upbringing, as well as from a sort of sixth sense supplementing the common sense reasoning that life on earth, with all its tribulations, would be pointless if there were no form of life or existence hereafter.

However, to picture the life beyond is very difficult indeed. No one has been beyond death, or been able to tell us what it is like: who could convey an accurate impression of the odour of a rose to anyone who had never smelt one? So we have to rely on the utterances of visionary mystics; and the proof that these utterances have some foundation of reality, even if incomprehen­sible to us, lies in the striking similarity of their state­ments: that life beyond is a very close‑knit integration­ or communion ‑ with the Supreme Being, whatever he may be called: יהוה, Brahmah, Allah, Іησοΰ, Christ. Every single mystic has borne witness to this re­integration with the Source of all creation, the מלכות, of the Kabbalah, and some of them have even been fortunate enough to see this in a vision.

Without   disclosing  any  secrets  of  the  Royal Arch, I can say that, in my opinion, this is what this degree illustrates by its symbolism.

Its ritual attempts to re­integrate us with the True and Living God Most High, in the same way as the Craft rituals try to integrate us with spiritual Birth, Life and Death respectively. This re‑integration with the Supreme Source and Essence can only be achieved by a mystical union.

 

DEFINITION

 


Before proceeding any further, I feel that the word “Mysticism” ought to be defined so as to clarify the meaning attached to it when related to the Royal Arch, or any other esoteric ritual. Chamber’s English dictionary defines “Mysticism” as the “habit and tendency of religious thought and feeling of those who seek direct communion with God or the Divine”: in other words what the buddhists call “Nirvana” and the christians “Communion of Saints”.

I must also caution the reader that this paper is not an authoritative pronouncement. As with all mystical writings, whether by the Saints, the Kabbalists or the Dervishes, or by those who merely aspire to mysticism, it is a purely personal communication, so personal that, with some of you with different upbringing or outlook, it may not strike the right chord to lead you through to a similar understanding. For some of you, however, it may touch the right spot and awaken in you that Divine spark we all have in us and enable you to hear once more ‑ or perhaps for the very first time ‑ that “still small voice” (1 Kings, xix, 12) which for most of us unfortunately is so very silent, so very frequently silent.

Therefore, this paper is not a pronouncement ex cathedra Arcani Regalii, i.e. authoritatively from the chair of the Royal Arch, in one chapter of which I am in at present, but de profundis spiriti mei, in other words, out of the depths of my own feelings and emo­tions. As such, and only as such, you must take it or leave it.


RITUAL

For those readers who are but Master Masons, a brief explanation of the Royal Arch ritual, without improper disclosure, is called for, if they are to under­stand more clearly the import of the subsequent para­graphs of this paper. However, it must be pointed out straightaway that a full understanding will not be attained until the reader has not only been exalted in the Royal Arch, but also passed through the three Principals’ Chairs: even the candidate is ritualistically informed that the full secrets of the Royal Arch are not communi­cated and a full understanding of the degree is not attained until he has passed those Chairs.

As in the Craft degrees, there is a preparation before the ceremony, although it is more verbal than vestimen­tary. The Craft degrees’ pattern is then closely followed with the entrusting and calling for a password leading to the degree, after which the ceremony proper culminates in the exaltation of the candidate, in which the actual degree is conferred with the communication of the Ineffable Word which was lost at the traditional time in which the Third degree was originally enacted, and sub­sequently rediscovered, again according to masonic tradition, at the time when the Royal Arch ceremony first took place. Then follow three lectures given to the candidate, one by each of the three Principals, and corresponding roughly to the Charge after Initiation, the Second Tracing Board and the Traditional History, which are given respectively in the First, Second and Third degree of the Craft.

The first lecture is the Historical Lecture, which retraces the history of early masonry and of the first masons, some of whom are mentioned in Craft masonry, e.g. King Solomon. The second lecture is the Symboli­cal Lecture and, in a way, can be compared to the giving of the working tools in the three Craft degrees, all rolled into one ‑ except that the tools and ornaments described are different. The Symbolical Lecture is in fact a transposition in the life hereafter of the lectures on the working tools of this life as given in the Craft degrees. It therefore has a symbolism all of its own and aims, in my opinion, to raise the candidate’s feelings to his Higher Feeling, his emotions to his Higher Emotion (cfr. Fig. 2).

The third lecture is actually called the Mystical Lecture and it is the apotheosis of the degree. It was the point at which the First Principal hoped to raise the whole of the assembly of companions, the Sanhedrim, into a mystical vision and union with the True and Living God Most High. Thereby lies the supreme impor­tance of the Mystical Lecture; and it is very unfortunate that, nowadays, too many First Principals give this lecture merely as a perfunctory recitation and only worry about getting it word perfect, even though they might render the sense of those words meaningless by mispunctuation and lack of emphasis at the crucial lines.

The same applies, even if to a lesser extent, to the other two lectures which are virtually the sole perfor­mance of the other two Principals during the ceremony proper. Notwithstanding the small verbal part given to the Second and Third Principals, the Royal Arch chapter is a true triumvirate, in the same way as the Craft lodges are autocracies: the Worshipful Master rules alone in a lodge, in the sense that he has full say and is not required to consult his wardens; the three Principals rule together in consultation, three in one, as a trinity. This is again symbolical of the triune essence of the Deity, as expounded in the mystical writings of all religions, including the very strictly monotheistic Hebrew and Muslim faiths (vide the Zohar, a Kabbalistic work, and various Sufi writings).

In fact, it was not so long ago that the whole ritual of the Royal Arch was entirely done in “threes”: at the beginning of this century, only the three Principals and as many past First Principals as could form whole groups of three could attend the opening of the chapter; no exaltation could take place unless there were three candidates. Nowadays, the “guide” of the candidate and his assistant (equivalent to the deacons in Craft Masonry) act as the other two candidates, the former having the second most important role in the perfor­mance of the ritual. If there are two candidates at the same time, the “assistant guide” stands down, thereby preserving the threesome. The importance attached to the symbolism of the triune essence shows that the Royal Arch deals with our relation to God, in the same way as Craft Masonry deals with our relation to Man - ­this is actually stated in the ritual ‑ and we hope that the symbolism of the Word, which is at last found in this degree, will succeed in bringing us as close to the Ultimate TRUTH ‑ God is Truth ‑ as we can hope to achieve while yet in this earthly life.

I apologise to Royal Arch masons for what may seem to them a dreary preamble to my paper proper, as read in open chapter, but they might have found in these explanations a clarification of what, to them, should be common knowledge but is to him, who is but a Master Mason, a yet unfolded mystery, and link up more closely in their minds the ritual of the Supreme Degree of the life hereafter to the three degrees of the life herein.


HISTORY

Most Royal Arch masons are familiar with the ritual wording of the Mystical Lecture in the Supreme Degree of the Royal Arch Chapter of Jerusalem, but I wonder how many have paused to consider the implication behind the title given to this lecture by the originators of the Royal Arch ritual? The first lecture delivered by J., the Historical Lecture, is self explanatory: it narrates the history, albeit allegorical, of the development of the three major phases of Traditional Masonry. I said “Allegorical”; in fact, whether intended or not by the authors of the ritual, it sums up the three major dis­coveries of Monotheism in Man’s search for a true Religion – or Religious Truth:

1.     GOD, the awe-inspiring Spirit, the Creator,

 

OMNIPOTENT

אלהים

the ELOHIM of the First Commandment proclaimed unto Moses amid lightning and thunder, fire and flame, which inspired our First Grand Master to exclaim: “Thou shalt FEAR the Lord thy God!” (Deuteronomy vi, 13). This is the God of the “Magnificat”.

2.     GOD, the Almighty, the Ruler, the Judge,


OMNISCIENT

אלשדי

EL SHADAI which are actually the Hebrew words for THE ALMIGHTY.

This is the God of Wrath, the God Who punishes but likewise, the God of Wisdom Who inspired our Second Grand Master, King Solomon, in his judgements, and again, the FEAR of Whom is counselled in Solomon’s Proverbs, but this time with a difference which indicates a marked theological or Spiritual progress: it is no longer a blind fear, but a wise fear.

3.     GOD, the Personal, the Merciful, the Eternal, Ever Caring,

 

OMNIPRESENT

יהוה

the Great “I AM” and yet, the God of Love - God the Father, the Forgiver of Sins, who brought our Third Grand Master, Zerubbabel, out of cap­tivity to put him back on the throne of his fore­fathers, and Who said to His beloved people, through the mouth of His prophet Haggai: “I AM with you”. (Haggai i, 13).


SYMBOLISM

The second lecture, delivered by H., ‑ the Symbolical Lecture is again self evident. It goes through all the ornaments of the Chapter, movable and immovable, and proceeds to expound on their symbolism. Once again, it is interesting to note that “Mysticism”, as defined by the dictionary, underlies the main theme of this lecture as well, since a major proportion of it dwells on the symbolism of the Divinity. In the greater part of the text, this subject is only glossed over: this lecture merely makes reference to “The Sacred Word”, yet it is the forerunner of the Mystical Lecture, not only in that it is a preface to it, but also in that it can be interpreted as pointing to at least seven Schools of mystical revelations, spread over four different sections of the lecture: ‑

  1. The prehistoric cave mysticism (Cromagnon and others), and the Eleusinian mysticism of Germination (i.e. the mysteries of Nature), as hinted by the Vault and its sacred contents.
  2. Kabbalistic mysticism, as evident in the arrange­ments of the Lights, and the Seal of Solomon in the Jewel worn by the companions.
  3. Pythagorean and Neo‑Platonic mysticism, both in the brief reference to the five Platonic Bodies and in the more detailed explanation of the triangulations of the Lights and the geometry of the Triple Tau and the Jewel.
  4. The two famous mysticisms which in fact probably belong to one and the same School, because they are so strikingly similar that they have the appear­ance of being identical, i.e. the Hebraic mysticism of the Merkabah vision of Ezekiel (Ezekiel, chapter 1); and the Christian mysticism of the Apocalyptic vision of St. John (Revelation, chapter 4). Both have the same mystical vision of the Shekinah Glory or Divine Immanence riding in an incandescent chariot of flames, drawn by the same four Angelic Beasts: the Man, the Lion, the Ox and the Eagle (Ezekiel i, 10 and Revelation iv, 7), the emblems of the Patriarchal Blessing, which were later borne on the standards of the four leading tribes who ruled respectively over the South, East, West and North columns in marching, camping or fighting order, during the Exodus (Numbers, chapter 2). ‑ Cfr. Fig. 1.


TRADITION

It might be appropriate to point out, at this juncture, that the whole of the Royal Arch ceremony is the Mystical Phase, glimpsed in most religions and seen in all the mysteries enacted throughout the ages, of the Craft ceremonies; and, as in most religions and all mystery plays, it refers to the Resurrection, or Rebirth or Regeneration on a higher spiritual plane after death in our present material plane, depicted in the Third Degree of the Craft, which followed the working life of man, represented in the Second Degree, the whole preceded by birth on this same material plane, illustrated most forcefully by our Initiation ceremony.

The same sequence is found in the esoteric Book

 


 of Enoch, the Tibetan and the Egyptian Books of the Dead, the Mysteries of Eleusis, the Tales of the many lives of Gautama the Buddha, both the Kabbalistic and Hasidic versions of Jewish Mysticism, Platonism and Neo-Platonism, the Christian liturgy (e.g. the Mass), and Sufi Mysticism of Islam (as exemplifies by the ritual dance of the Mevlehvi or Whirling Dervishes). All this only goes to show the fantastic unity of aim and common purpose in the main religions and esoteric mysteries in the World, throughout the ages.

Although it is common knowledge that the main religions in the World count their adepts in millions, and even in hundreds of millions, it is seldom realised, in the sceptical western hemisphere, that esoteric rituals and mysteries number thousands of initiates in the East, from true Fakirs and Yogis to Tibetan Buddhist monks. In the Near East, Islam has its Sufis and Dervishes, the latter despite almost constant attempts by every govern­ment to wipe them out. In the West, there are the little known “inner circles” of certain major Catholic and Greek and Russian Orthodox Monastic Orders; but contrary to the East which is still prolific in them, the only Mystery which still flourishes in the Western Civilisation is Freemasonry, the mysticism of which has alas been supplanted by more worldly and materia­listic virtues, instead of enhancing the latter, and the ritual of which means less and less to more and more of its most ardent and word perfect exponents.

If the major religions of the World display a striking similarity of aim and purpose, when you come to the more illuminated mystics, such as St. Theresa of Avila, Abraham Abulafia or Ibn Arabi, to name but three well­known representative visionaries in the three basic Monotheistic religions with a common source; or when you read works like the Upanishads, the I Ching, the Bagavad Gita and the Zohar, belonging to the cultures of such different types of human beings, you are at once struck by the similarity in the Ideas about the Deity, and even the resemblance in the imagery used to translate what can be but a supra natural emotion into a natural sensorial representation.

That alone should be sufficient proof of the Oneness of God. Alas, the enormous difficulty of materialising what can only be a spiritual revelation of the Shekinah Glory or Divine Immanence, has usually rendered both the mystics and their sayings quite unintelligible to their fellow men, and many suffered martyrdom because they were so misunderstood that they were actually taken to be heretics of their own faith, the very faith in which they were trying so hard to instil a new and more vigorous life. The kindest treatment which was dispensed to these mystics was to deride their sayings as the ravings of the insane: It is a tenuous line of demarcation which separates the mystic and genius from the lunatic and simpleton.


MYSTICISM

When we come to the Mystical Lecture proper, delivered by the M.E.Z., we reach the second apotheosis of the Degree; the first one being the restoration of Light to the candidate, which symbolically gives him a full realisation of his resurrection by the material inter­mediary of the P.S.’s hands. The mysticism of the First Lecture was elemental, superficial: a simple tuning‑in (to use a scientific term in electronics) of the candidate’s inner mind to the right wavelength. It corresponds to that part of the body of man which is already normally attuned to the Higher Level, the Will of God, for the very reason that man has virtually no control over it ‑ ­I am speaking of the “Moving Instinct”, the autono­mous bodily functions such as digestion, metabolism, blood circulation, etc.

The mysticism of the Second Lecture is deeper, the wavelength, now tuned, is amplified - to stick to the previous electronic terminology. Here, the mystical dis­sertation on the Almighty is broached more deeply with an analogy to the Merkabah and Apocalyptic visions. The aim of the symbolical lecture is to transfer the candidate from his common emotional centre to his Higher Emotional Centre ‑ room No. 5 in the “House of Man” ‑ by guiding him through what Aldous Huxley called “The Doors of Perception” (He used Mescaline and Lysergic acid for that purpose).

Finally, the ceremony reaches its crescendo in the Mystical Lecture proper and, if our bodies were really tuned‑in to the right wavelength, sufficiently amplified, we would reach the Point of Resonance. For this, the three parts of us, which we can more or less control, must be synchronised in perfect ATTENTION: i.e. our body, our emotions and our mind. This, the Mystical Lecture tries to achieve again for us, and it starts with the body ‑ as we all know, the first third of this lecture deals with the mysticism of the R.A. signs and penalties, which are both physical allegories illustrated by bodily actions on the part of Master and Pupil (M.E.Z. and Candidate).

 

PENITENCE

The first sign tells us to sever our head, i.e. our intellect from the process. Normal or logical intellect ‑ room No. 3 ‑ which is the only function Western Civilisation can control properly, is grossly misused - ­overused. It is put to tasks which do not belong to it. This first injunction would be quite unnecessary in the East. This was indeed the punishment of Adam: the forbidden fruit he ate came from the Tree of Knowledge. Why did he not choose the fruit of the Tree of Life?­ He was already endowed with its elemental properties  - contrary to Western popular and psychological belief, the newly born infant of man is fully conscious, AWARE, AWAKE, but without knowledge, it cannot reap the benefit of its consciousness. The shame of it all is that we, in the West, when we try to instil know­ledge in our infants, albeit automatically at first, hence unconsciously and when we are spiritually sound asleep, we send him also to sleep and make him unconscious like ourselves: this is the visiting of the iniquities men­tioned in the first commandment (Exodus xx, 5). It does not take a child many years to reach our state of Being, of which the V.S.L. says: “For they have eyes and do not see, and they have ears and do not hear”. This is mentioned eight times in the Old Testament (six times in Isaiah) and four times in the New Testament (Matthew, Mark, Paul, Acts).

Thus the first sign forcefully councils us to sever our intellect; and the second sign tells us that, shutting away our intellect with our left hand, we must listen to our heart (or emotions) in the manner of the early Christian Fathers, the mystics of the “Philokalia”. This will allow our Being to pass into room No. 4, and the first glimpse we would get of the Shekinah, if we could really do this, would indeed blind us, hence the necessity of copying our Grand Master Moses’ action of shielding his eyes. This sign also implies that we should look inwards instead of outwards as we usually do: the “Still Small Voice” is inside us, not outside.

The third sign implies that we have reached the point of “no return”, where the agony of our new illumina­tion is unbearable, and we beg the Almighty to help us through “the Doors of Perception”. Adam received his knowledge, after eating the fruit, in such rapid and indigestible a manner that he had to beg the Almighty to remove the pain. This could only be done by removing the

 


source of the indigestion, hence our present state of ignorance which we have to work so hard to overcome; and this we appear to be able to achieve only on a material plane ‑ science and techno­logy. The same fate which befell Adam has driven to insanity many men who, emulating their first ancestor, tried to “steal” the Light of God ‑ the Greeks called it His Thunder or His Fire ‑ by taking shortcuts to a higher spiritual level than that for which they were prepared by their past exertions and understanding: in the East there is many a tale about the pupil who came to a sticky end by using teachings stolen from his Guru, before the latter judged him physically and mentally fit to learn about them. And throughout the five in­habited continents, there is a sad tale of ruin and misery brought about by the ill‑advised administration of many different drugs; alas today, even the reason for taking drugs is no longer as lofty as that which prompted the First Man.

 

AWAKENING

The Monitorial sign is well explained in the ritual lecture and needs no further comment, except that it shows very clearly our state of Being in room No. 4: we cannot do anything and we must let ourselves be carried through this stage by Divine Grace. At this stage of our spiritual progress, our previous exertions or experiences have left us too weak to rise to room No. 5 without Divine Help. If we try to do anything of our own accord, we will only achieve a Negative result which will throw us back into the Negative Emotions of room No. 2; and if we fall from there, the crash will be much greater ‑ this was the lot of the Fallen Angels ‑ than when we falter daily in our present low state of spiritual development. Hence the number of failed mystics who have become religious bigots and dangerous cranks, plaguing mankind with their negativeness, mis­understanding, distortions and sometimes criminal inter­pretations of Mystical Truth; the V.S.L. is usually the main target and tool of their misrepresentation.

Naturally, as in all apotheoses, the section of the Mystical Lecture which deals with the signs, ends with the Vision of visions and hence the Fiducial sign of Man who has entered room No. 5 of his Higher Emotion and sees the Shekinah in the fullness of Its Material Glory ‑ material only, because we are still on the level of the body: the first third, if you remember, of the Mystical Lecture was designed to raise the body through the rooms of the “House of Man”. This is the first step of the entry into the Kingdom of Heaven, or at least, the nearest we can ever get to it on this earth. A glorious luminescence shines all around us, and though we prost­rate ourselves before our Maker, our body is so light and ethereal that we do not actually fall to the ground on our face, but stay in this position and bask in the beatific warmth of the Divine Incandescence. This is the first step in the earthly counterpart of the Com­munion of Saints, the partial integration here on earth of Man, the Microcosm, with his God, the Macrocosm. The progress of Creation, launched in Evolution by the Will of God, has reached its outer boundary of perfec­tion and its ultimate purpose, and the trend is reversed, through Involution by an act of the Free Will accorded by the Creator to His human creature who now begins the steep and arduous return journey back into the Fount of Life and Knowledge, from whence he sprang originally.

 

CONTEMPLATION

The second and third sections of the Mystical Lecture are closely related to one another, and the former is a sort of introduction to the latter. In fact, the whole composition of the Mystical Lecture is rather like a sonata, and in particular, the C sharp Minor of Beet­hoven, commonly known as the Moonlight Sonata. The first part seems to be an independent theme; the second, a brief interlude at a quicker pace, setting the listener in the right frame of mind to receive the thunderous chromatics of the third and final movement.

After having prepared our body by the first section of the Mystical Lecture, which I shall call the Penitential or Ascetic section, we can turn inwards and look at our soul, the seat of our emotions. The inward looking motion is translated by a descent into the vaulted cham­ber, and this section begins straight away with a descrip­tion of the altar, its centrepiece. In this second section, which I shall call the Contemplative section, the Mysti­cal Lecture is brief: after all, perfect silence, both outward and inward, would be the best method of achieving the desired result of reversing the direction of Attention, i.e. following the inward pointing head of the double headed arrow of Perfect Attention, as so brilliantly conceived by Gurdjieff and explained by Ouspensky, J. G. Bennett and other disciples who taught his philosophy. However, in a ritual which conveys its symbolism through language, a pause of about two and a half minutes ‑ the time it takes to enounce this portion properly ‑ would be as incongruous as a completely silent second movement of the same duration in a three part piece of music like the above‑mentioned sonata. It would also defeat its intended purpose, particularly with Western man for whom complete silence of any duration is more distracting than conducive to contemplation ‑ judging from our educational, and even social habits such as “sending a man to Coventry”, silence is considered in the West and even used as an effective means of punishment. Therefore, what should have been a pause to reflect on oneself and listen for the “still small Voice” has been filled with an unobtrusive patter which gradually builds up to the first crescendo of the Apocalyptic third section.

 

 APOCALYPSE

The second section assumes that our mind has been quietened in the first one (first or penal sign) and that our body is already in room No. 5. It therefore merely takes our emotions from room No. 2 to room No. 4, leading us gently to the threshold of the door to room No. 5 and, when the soul rejoins the body in this latter room, then comes the apotheosis, the Revelation in the third section which I have called the Apocalyptic section of the Mystical Lecture, and in truth, of the whole ceremony and Degree.

When body and soul are both in room No. 5, then the Spirit descends upon us from room No. 6 and transports us there to reveal to us the Divine Immanence within us. All mystical writings of all religions and mysteries cul­minate in the same revelation of the Divine Name. The only variance is in the Name Itself, which naturally is the one which phonetically fits the language of, and inspires the greatest emotional uplift to the particular race of men to whom that religion or mystery is the guide of their life and the ordinances of their Creator. For the Western Christian, it is the Christ of the Apocalypse of St. John.

 

For the Eastern or Orthodox Church, it is the ’Ιησοΰς of the Philokalia. For the Muslim, it is Allah. For the Tibetan Buddhist, it is the names of the Seven Devas. For the early Indo­ Europeans of the Sanskrit civilisation, it was Om. For the Zoroastrian, it is Baal (which has become Bul and Bal in our ritual). And for the Hebrew, it is Jah, and more fully, the Mystical Name spelt in the four Hebrew Letters of the Tetragrammaton: הוהי

All these Names have also been called Mantrams and, with the exception of the last One mentioned, are pronounced over and over again, sometimes in a litanical voice, sometimes in a voice increasing in volume to the point of howling the Sacred Name, as is the practice of the Bektashi Dervishes, or Howling Dervishes, from whose ranks the select Janissaries or shock troops of the Ottoman empire were always recruited (there were seven millions of them in 1820, before steps were taken to suppress the Order to the greatest relief of the Christian world, although it was the Sultan himself who ill advisedly gave the order for their eradication).

Now, this was one commonly used method of attain­ing a state of Divine communion for the mystics of all religions, except the Hebrew Kabbalists and Hasidim. In fact, we are well acquainted with the Western Christian litany: ‑

Lord, have mercy upon us,

Christ, have mercy upon us,

Lord, have mercy upon us.

The Eastern Church took the “Prayer of the Heart” of the early Fathers of the Philokalia:

Ιησοΰς, ́Ύιός Θεού, χύριε έλέϊσον

(Jesus, Son of God, have mercy upon me)

The Sufi Dervish howls:

"Allah Akhbah." (God is One)

 

KABBALISM

The Kabbalist or Hasid was faced with a problem: like all Hebrews ‑ and as mentioned in the second tracing board lecture in Craft Masonry ‑ he was for­bidden to pronounce that Great, Awful, Tremendous and Incomprehensible Name of the Almighty, except perhaps once a year during Kipur, on the day of Atone­ment. Therefore, he fell back on the attributes of the Most High, on the theological premise that God is His Attributes; and each School of Kabbalism had its own preferences or pet attribute or attributes. For instance, Abraham Abulafia and many other kabbalists meditated on the famous three verses of the 14th chapter of Exodus, verses 19, 20 and 21 which, in Hebrew, have 72 letters each. The kabbalist read these three verses in Hebrew, forward, backward, then alternating first verse forward, second verse backward and third forward again. Furthermore, the 72 letters of each verse were combined into 72 groups of three letters, i.e. the first three, the second three, etc. and these groups formed 72 Words which became the 72 Names of the Grand Sanhedrim Above, the Sanhedric Archangels Who always accompanied the Shekinah Glory on Its visi­tations in the material world of His creation.


םהירחאמדמעיוםהינפמןנעהדומעעסיוםהירחאמךליולארשיהנחמינפלךלההםיהלאהךאלמעסיו

הלילהלכהזלאהזברקאלוהלילהתאראיוךשחהוןנעהיהיולארשיהנחמןיבוםירצמהנחמןיבאביו

םימהועקביוהברחלםיהתאםשיוהלילהלכהזעםירקחורבםיהתאהוהיךלויוםיהלעודיתאהשמטיו

Fig. 4.      The Shemahamphorash or The Seventy-Two Names of God in His Grand Sanhedrim Above

The above Hebrew characters spell out, in the original, verses 19, 20 and 21 of the 14th chapter of the Book of EXODUS. Each verse has exactly 72 letters. No spacing has been left between the words so that the Mystical 72 Names formed by the grouping of one letter in each verse vertically and downward can be more clearly recognised. In order to make the Scriptural Text, from right to left in each line, more legible, each separate word begins with a Capital or larger letter. The only exception is in the last verse which contains the four lettered Name of God (JHVH); This has been printed all in Capitals and the next word on the left of it has been printed all in small letters (i.e. without beginning with a capital like the others) to distinguish it from the previous Name.

The English translation of these three verses in the Authorized Version of the Old Testament reads as follows:‑

  • 19. And the angel of God, which went before the camp of Israel, removed and went behind them; and the pillar of cloud went from before their face, and stood behind them
  • 20. And it came between the camp of the Egyptians and the camp of Israel; and it was a cloud and darkness to them, but it gave light by night to these: so that the one came not near the other all the night.
  • * 21. And Moses stretched out his hand over the sea; and the LORD caused the sea to go back by a strong east wind all that night, and made the sea dry land, and the waters were divided.
  • * N.B. The last of the above three verses forms part of our ritual.

Finally, they had the ten Sephiroth of the Zohar, the first three of which have been called the Holy Trinity of the Kabbalah. The whole forms part of the Zoharic vision known as the “Tree of Life”, and it starts actually before the first Sephira (the Supreme Crown) with the Incomprehensible Ain Soph (The Word); this is not even an Attribute because it is “That” of the Almighty which has so little connection with His material creation that it cannot even be grasped by the most sensitive electrical impulses of man’s brain. Then follow the ten Sephiroth proper, in order of in­creasing connection with His material creation, until we end up with Malkuth, which is the Cosmos, or God in His Creation. I studiously avoided using the word “materiality” in connection with the Sephirotic Attri­butes of the Almighty, because the meaning underlying that word, in the mind of the Kabbalists, was completely misconstrued and has led many orthodox but non­mystical rabbis, as well as Gentile scholars, to brand the Kabbalism of the Zohar as Pantheistic: the tenth Sep­hira, Malkuth, is not the whole of creation itself but the Spirit of God, the Holy Ghost which is the Prime Mover behind the creation. Therefore, even Malkuth Itself is not really material and should be translated as Cosmos, in the ancient Greek interpretation of the word, and not Universe, in the modern scientific interpretation of that word. Malkuth is no more material than the Breath which the Almighty breathed into each of us to give us life, as He breathed into the nostrils of Adam (Genesis ii, 7) to raise him from dust to Man.

It is also worth noting the subtle way in which the Divine Attributes or Sephiroth are arranged in increasing order of spiritual relation with the material world They created together: The Supreme Crown, Wisdom, Intellect, Mercy, Severity or Justice, Beauty or Com­passion, Endurance or Eternity, Majesty or Glory, Foundation or the Fount, Kingdom or Cosmos.


ILLUMINATION

These are but a few examples of mystical uses of the Divine Names and, in the ritual of the Royal Arch, we have as good an example as in any esoteric School attached to ‑ or should I say “detached from” ‑ an earthly religion. We need no further proof that the paragraph expounding the Word on the Circle is a pure mystical utterance, other than to remind ourselves that it is a repetition and prolongation of the eighth verse in the first chapter of the Revelation of St. John the Divine, since the whole of that New Testament book is apocalyptic or mystical. This is Z. trying to “exalt” his neophyte, i.e. to impart into him a sense of the mystical vision of, or communion he had with the Shekinah at his own exaltation and, later, at his instal­lation ceremony which nowadays is abbreviated beyond recognition.

The description of the Word on the Triangle takes us again through a whole collection of different esoteric Schools of mysticism and finally, the mantram built upon the three letters of the Hebrew alphabet is a very good method of attaining a physiological state of body and psychological state of mind conducive to experiencing a mystical vision ‑ or, as the modern psychiatrist would have it, a schizophrenic hallucination in a state of catalepsy or epilepsy, depending on whether the visionary remains quiescent, or prances about like a Dervish or one of the original Quakers.

 

JUDGMENT

Is mysticism and its visions, the rantings and ravings of a sex starved (Freud) schizophrenic, useless and weak strippling of humanity, as the materialistic Western world and its scientific psychiatrists would have it? Or is it the first step, here on earth in this life, of our ultimate re‑integration into the Creative Force whence we originated, after our resurrection in the life here­after? Is it the degradation of man below the level of an animal, or is it his momentary rising, beyond the three visible dimensions and one time dimension of the material world, to the second and third dimensions of time ‑ eternity and hyparxis ‑ which are the fifth and sixth dimensions of the cosmos? After all, the latter view is that of a brilliant mathmatician and physicist such as Raynor C. Johnson, M.A., Ph.D., D.Sc., and the materialistic world of the West thinks him sane enough to make him Master of Queen’s College,

 


University of Melbourne. Is it the loss of one’s soul to the devil and eternal damnation, as our forefathers would have it of the inmates of Bedlam? Or is it the highest form of eternal salvation in the only real and true communion with God, whilst we are still alive on this earth?

I leave it to each of you individually to reflect on this greatest of all spiritual dilemmas but, before you make up your mind, let me warn you that, unless you have ever experienced anything of a mystical nature, even a mere taste of it, whether by using the old orthodox methods, or the modern physiological short‑cut of taking mescaline or lysergic acid as Aldous Huxley and the Mexican Indians do, or the more habit forming and therefore damaging opiates of the East, there is no means by which you can possibly form a correct opinion on the subject; because mysticism or the intercourse of man with his Creator is such a personal thing that none of us can ever benefit vicariously from the experience of others, unless we learn from them the way to obtain and actually succeed in achieving that experience ourselves.

This may be what the authors of our ritual tried to teach us. If Masonry, and especially the Royal Arch not only means, but is more to us than a mere way of expressing a code of ethics and morality in an unneces­sarily verbose mumbo‑jumbo; or a childish method of tapping our pockets, by appealing to our inherent vanity, in order to obtain material funds for causes so intrin­sically worthy than no artifice should be necessary; or worse still, if Masonry is for us a mere excuse to get away from our work in the afternoon and our wives and families in the evening, to have a good spree and forget for a brief moment our cares and worries, by making merry among friends who, at the festive board of so many lodges and chapters, cannot think of anything better to say than throw verbose bouquets of flowers at each other and pat each other on the back; if Masonry and the Royal Arch in particular mean more to us than any of that, then we acknowledge, however silently or incoherently, the reality and power of mysticism, as well as the good it can achieve for us, individually and as a fraternity; and, through us, for uninitiated humanity at large by raising it one or more rungs higher on Jacob’s ladder of Awareness and Awakening towards communion with the True and Living God Most High, and the eventual transcendental integration in the life hereafter of the human creature with his Divine Creator.

 

BIBLIOGRAPHY

Besides the experience of my own personal perception on this subject, I am indebted to the following sources of information and inspiration, among many others, for facts and ideas which I have quoted: ‑

 

The V.S.L. and in Particular:

The Pentateuch, with commentaries by Dr. Hertz.

Ezekiel, Isaiah and Revelation.

The Koran

The Ten Principal Upanishads

The Bagavad Gita

The Dhammapada and sayings of Gautama the Buddha

The sayings of Lao Tzu

The Analects of Confucius

Prehistoric Religions, by E. O. James

The I Ching

The Scriptures of the Dead Sea Sect

The Sepher Ha Zohar (The Book of Splendour)

Jewish Mysticisms, by Gershom G. Scholem

The Holy Kabbalah, by A. E. Waites

The Wisdom of the Kabbalah ‑ Edited by D. D. Runes

Various commentaries of Martin‑Buber on Hasidic Texts

The Secret Sayings of Jesus ‑ or apocryphal gospel according to St. Thomas

Writings from the Philokalia, translated by Kadloubovsky and Palmer

The Egyptian Book of the Dead

The Occult Arts of Ancient Egypt, by Bernard Bromage The Teachings of the Magi, by R. C. Zaehmer

The Larousse Encyclopedia on Mythology

The Mysteries of Eleusis, by George Meautis

The Dialogues of Plato

Religious Platonisms, by J. K. Feibleman

The Tibetan Book of the Dead

Tibetan Yoga and Secret Doctrines, by W. Y. Evans‑Wentz.

Various books and publications on the Yogas, Tibetan Esoteric and Zen Buddhism

Sufism, by A. J. Arberry

The Wisdom of Israel, by Lewis Browne

The Wisdoms of India and China, by Lin Yutang (2 books)

Wisdom is One, compiled by B. W. Huntsman and published by John M. Watkins

Mysticism, by F. C. Happold

All the published and some unpublished works of G. I. Gurdjieff

All the published works of P. D. Ouspensky, M. Nicoll and R. Collin

All the published works of J. G. Bennett and his lectures on Christian and Sufi Mysticism

All the published works of J. W. Dunne

The Imprisoned Splendour, by Professor Raynor C. Johnson

Nurslings of Immortality, by Professor Raynor C. Johnson

Watcher on the Hill, by Professor Raynor C. Johnson

The Doors of Perception, by Aldous Huxley

Heaven and Hell, by Aldous Huxley

Mind, Perception and Science, by W. Russell Brain

The Nature of Experience (a Riddell lecture), by Sir Russell Brain

What is Life, by Schrödinger

Man the Unknown, by Dr. Alexis Carrel

Man the Known and Unknown, by J. L. Davies

What man may be, by G. R. Harrison

The Future of Man (a Reith Lecture), by Professor Medawar

Physics and Philosophy, by Heisenberg

The Genuine Secrets of Freemasonry, by W. Bro. Rev. F. de P. Castells, P.G.Ch.

Various Transactions of the Dormer Masonic Study Circle

Various Writings of C. G. Jung

 

N.B.        Many spurious books by what I believe to be misguided authors (the blind leading the blind!) have yet been a source of inspiration to me in reminding me more forcibly of the narrowness of the Path and the abysmal and chaotic pitfalls which lie on either side, thus guiding me by their unconscious and unintentional warnings as much as the true illuminations have by their conscious directives.

 

 

 

This paper is courtesy of the author's son :

W. Bro.Andrew Manasseh

IPM, Lodge of Friendship no. 206 (London),

St. Andrew's Lodge no. 1046 (Surrey)

H., Southall Norwood Chapter no. 4868 (Middlesex)